Picture a mild, golden afternoon in early October, the yellowing green of Sailors' Field mellow and warm in the sunlight, the river winding its sluggish way through the broad level marshes like a ribbon of molten gold, and the few great fleecy bundles of white clouds sailing across the deep blue of the sky like froth upon some placid stream. Imagine a sound of fresh voices, mellowed by a little distance, from where, to and fro, walking, trotting, darting, but ever moving like the particles in a kaleidoscope, many squads of players were practicing on the football field. Such, then, is the picture that would have rewarded your gaze had you passed through the gate and stood near the simple granite shaft which rises under the shade of the trees to commemorate the little handful of names it bears.

Had you gone on across the intervening turf until the lengthened shadow of the nearest goal post was reached you would have seen first a squad--a veritable awkward squad--arranged in a ragged circle and passing a football with much mishandling and many fumbles. Further along you would have seen a long line of youths standing. Their general expression was one of alertness bordering on alarm. The casual observer would have thought each and every one insane, as, suddenly darting from the line, one after another, they flung themselves upon the ground, rolled frantically about as though in spasms, and then arose and went back into the rank. But had you observed carefully you would have noticed that each spasm was caused by a rolling ball, wobbling its erratic way across the turf before them.

Around about, in and out, forms darted after descending spheroids, or seized a ball from outstretched hands, started desperately into motion, charged a few yards, and then, as though reconsidering, turned and trotted back, only to repeat the performance the next moment. And footballs banged against broad backs with hollow sounds, or rolled about between stoutly clad feet, or ascended into the air in great arching flights. And a babel of voices was on all sides, cries of warning, sharp commands, scathing denouncements.

"Straighten your arm, man; that's not a baseball!" "Faster, faster! Put some ginger into it!" "Get on your toes, Smith. Start when you see the ball coming. This isn't a funeral!" "Don't stoop for the ball; fall on it! The ground will catch you!" "Jones, what are you doing? Wake up." "No, no, NO! Great Scott, the ball won't bite you!"

The period was that exasperating one known as "the first two weeks," when coaches are continually upon the border of insanity and players wonder dumbly if the game is worth the candle. To-day Joel, one of a squad of unfortunates, was relearning the art of tackling. It was Joel's first experience with that marvelous contrivance, "the dummy." One after another the squad was sent at a sharp spurt to grapple the inanimate canvas-covered bag hanging inoffensively there, like a body from a gallows, between the uprights.

There are supposed to be two ways to tackle, but the coach who was conducting the operations to-day undoubtedly believed in the existence of at least thrice that number; for each candidate for Varsity honors tackled the dummy in a totally different style. The lift tackle is performed by seizing the opponent around the legs below the hips, bringing his knees together so that further locomotion is an impossibility to him, and lifting him upward off the ground and depositing him as far backward toward his own goal as circumstances and ability will permit. The lift tackle is the easiest to make. The dive tackle pertains to swimming and suicide. Running toward the opponent, the tackler leaves the ground when at a distance of a length and a half and dives at the runner, aiming to tackle a few inches below the hips. A dive tackle well done always accomplishes a well-defined pause in the runner's progress.

Joel was having hard work of it. Time and again he launched himself at the swaying legs, bringing the canvas man to earth, but always picking himself up to find the coach observing him very, very coldly, and to hear that exasperating gentleman ask sarcastically if he (Joel) thinks he is playing "squat tag." And then the dummy would swing back into place, harboring no malice or resentment for the rough handling, and Joel would take his place once more and watch the next man's attempt, finding, I fear, some consolation in the "roast" accorded to the latter.

It was toward the latter part of the second week of college. Joel had practiced every day except Sundays, and had just arrived at the conclusion that football as played at Harwell was no relation, not even a distant cousin to the game of a similar name played at Hillton. Of course he was wrong, since intercollegiate football, whether played by schoolboys or college students, is still intercollegiate football. The difference lies only in the state of development. At Hillton the game, very properly, was restricted to its more primary methods; at Harwell it is developed to its uttermost limits. It is the difference between whist over the library table and whist at the whist club.

But all things come to an end, and at length the coach rather ungraciously declared he could stand no more and bade them join the rest of the candidates for the run. That run was two miles, and Joel finally stumbled into the gymnasium tuckered out and in no very good temper just as the five o'clock whistle on the great printing house sounded.

After dinner in the dining hall that evening Joel confided his doubts and vexations to Outfield as they walked back to their room. "I wouldn't care if I thought I was making any progress," he wailed, "but each day it gets worse. To-day I couldn't seem to do a start right, and as for tackling that old dummy, why--"

"Well, you did as well as the other chaps, didn't you?" asked Outfield.

"I suppose so. He gave it to us all impartially."

"Well, there you are. He can't tell you you're the finest young tacklers that ever happened, because you'd all get swelled craniums and not do another lick of work. I know the sort of fellow he is. He'll never tell you that you are doing well; only when he's satisfied with you he'll pass you on. You see. And don't you care what he says. Just go on and do the best you know how. Blair told me to-day that if you tried you could make the Varsity before the season is over. What do you think of that? He says the coaches are puzzling their brains to find a man that's fit to take the place of Dangfield, who was left-half last year."

"I dare say," answered Joel despondently, "but Durston will never let me stop tackling that dummy arrangement. I'll be taking falls out of it all by myself when the Yates game is going on. Who invented that thing, anyhow?"

But, nevertheless, Joel's spirits were very much better when the two lads reached the room and West had turned on the soft light of the argand. And taking their books in hand, and settling comfortably back in the two great cozy armchairs, they were soon busily reading.

Hazing has "gone out" at Harwell, and so, when at about nine the two boys beard many footfalls outside their door, and when in response to West's loud "Come" five mysterious and muffled figures in black masks entered they were somewhat puzzled what to think.

"March?" asked a deep voice.

"Yes," answered Joel with a wondering frown.

"West?"

"Yep. What in thunder do you want? And who in thunder are you?"

"Freshies, aren't you?" continued the inexorable voice. The maskers had closed and locked the door behind them, and now stood in rigid inquisitorial postures between it and the table.

"None of your business," answered West crossly. "Get out, will you?"

"Not until our duties are done," answered the mask. "You are freshies, nice, new, tender little freshies. We are here to initiate you into the mysteries of the Sacred Order of Hullabalooloo. Stand up!" Neither moved; they were already standing, West puzzled and angry, Joel wondering and amused.

"Well, sit down, then," commanded the voice. Joel looked meaningly at Outfield, and as the latter nodded the two rushed at the members of the Sacred Order of Hullabalooloo. But the latter were prepared. Over went the nearest armchair, down from the wall with a clatter came a rack of books, and this way and that swayed the forms of the maskers and the two roommates. The battle was short but decisive, and when it was done, Joel lay gasping on the floor and Outfield sprawled breathless on the couch.

"Will you give up?" asked the first mask.

"Yes," growled West, and Joel echoed him.

"Then you may get up," responded the mask. "But, mind you, no tricks!" Joel thought he heard the sound of muffled laughter from one of the masks as he arose and arranged his damaged attire. "Freshman March will favor us with a song," announced the mask.

"I can't sing a word," answered Joel.

"You must. Hullabalooloo decrees it."

"Then Hullabalooloo can come and make me," retorted Joel stubbornly.

"What," asked the mask in a deep, grewsome voice, "what is the penalty for disobedience?"

"Tossed in the blanket," answered the other four in unison.

"You hear, Freshman March?" asked the mask. "Choose."

"I'll sing, I guess," answered Joel, with a grin. But West jumped up.

"Don't you do it, Joel! They can't make you sing! And they can't make me sing; and the first one that comes in reach will get knocked down!"

"Oh, well, I don't mind singing," answered Joel. "That is, I don't mind trying. If they can stand it, I can. What shall I sing?"

"What do you know?"

"I only know one song. I'll sing that, but on one condition."

"Name it?" answered the mask.

"That you'll join in and sing the chorus."

There was a moment of hesitation; then the masks nodded, and Joel mounted to a chair and with a comical grimace of despair at West, who sat scowling on the couch, he began:

     "There is a flag of crimson hue,
      The fairest flag that flieth,
     Whose folds wave over hearts full true,
      As nobody denieth.
     Here's to the School, the School so dear;
      Here's to the soil it's built on!
     Here's to the heart, or far or near,
      That loves the Flag of Hillton.'"

Joel was not much of a singer, but his voice was good and he sang as though he meant it. Outfield sat unresponsive until the verse was nearly done; then he moved restlessly and waited for the chorus, and when it came joined in with the rest; and the strains of Hilltonians rang triumphantly through the building.

     "Hilltonians, Hilltonians, your crimson banner fling
      Unto the breeze, and 'neath its folds your anthem loudly sing!
      Hilltonians, Hilltonians, our loyalty we'll prove
      Beneath the flag, the crimson flag, the bonny flag we love!"

The Knights of the Sacred Order of Hullabalooloo signified their approval and demanded the next verse. And Joel sang it. And when the chorus came the maskers lost much of their dignity and waved their arms about and shouted the refrain so loud that doors up and down the hall opened and wondering voices shouted "Shut up!" or "More! M-o-r-e!" for two minutes after. As the last word was reached Joel leaned quickly forward toward an unsuspicious singer, and, snatching the mask from his face, revealed the countenance of Louis Whipple.

And then, amid much laughter, the other masks were slipped off, and the remaining members of the Sacred Order of Hullabalooloo stood revealed as Blair, Cartwright, Somers, and Cooke.

And Outfield, joining in the laugh at his own expense, was seized by Cooke and waltzed madly around the table, while the rest once more raised the strains of Hilltonians:

     "Hilltonians, Hilltonians, your crimson banner fling
      Unto the breeze, and 'neath its folds your anthem loudly sing!
      Hilltonians, Hilltonians, we stand to do or die,
      Beneath the flag, the crimson flag, that waves for victory!"